Challenging the limits of the body’s endurance, exploring the necessity of cooperation and displaying extreme feats of strength to forge growth.
These are a few themes explored in Matty Davis and Ben Gould’s “carriage, bearance and severance.”

On Friday, Oct. 20, the Dallas Contemporary hosted the United States premiere of Davis and Gould’s live dance performance. With audience members’ eyes rarely straying from the hour-long performance, it was evident it was one that was captivating, provocative and fresh. The performance never stopped and neither did the audience’s fascination.
According to the Dallas Contemporary’s website, the performers’ collaborative work started as an “investigation of reliance, control and care.”
Their different lived experiences have allowed them to cultivate work that explores ideas such as “the tension between our fragility and our fortitude.”
After a late-in-life diagnosis of Tourette Syndrome, Gould started using his experience with the neurological condition to explore the abandonment of control over the body, as well as the ability to resist bodily tendencies.
From the atmosphere of the lighting to the incorporation of props and costuming as carefully cultivated performance elements, the “carriage, bearance, and severance” performance opened eyes to new ideas of what it means to grow alongside someone, to push boundaries into the unknown, and to be authentically, vulnerably and beautifully oneself.